Read e-book online A cultural interpretation of the South Korean Independent PDF

By Nohchool Park

A Cultural Interpretation of the South Korean self reliant Cinema circulation, 1975-2004 examines the starting place and improvement of the self sustaining cinema circulate in South Korea. The self sufficient cinema move refers back to the motion pictures, movie theories, film-related cultural actions that emerged that allows you to rfile social realities, to recommend the liberty of creative expression, and to symbolize the voices of marginalized social identities. My dissertation is the 1st test in English movie scholarship on Korean cinema to discover the heritage of non-commercial filmmaking performed within the identify of cinema stream from Seventies to 2000s. the first resources of research for this learn contain movies, books, and archive fabrics. The hitherto unpublished stories and ancient details acquired from the direct interviews with the autonomous filmmakers upload originality to this dissertation. Investigating the self reliant cinema flow deals new views at the cultural examine of nationwide cinema circulation and the prevailing scholarship of South Korean cinema. This dissertation questions the dominant historiography relating to South Korean cinema which facilities at the Sixties because the `golden age' of South Korean cinema and the Nineteen Nineties as its renaissance. This place has a tendency to brush aside the intervening a long time of the Nineteen Seventies and eighty because the `dark age' of the nationwide cinema. Defying the normal view, this research exhibits the presence of the hot iteration of filmmakers and younger cinephiles who introduced a chain of latest cinema activities from the Seventies onward. during this regard, the Nineteen Seventies will be reinterpreted because the interval that marked the genesis of the recent wave recognition within the heritage of South Korean cinema. moment, this examine analyzes the historical past of the self sufficient cinema stream as a dialogic approach among family cultural discourse and overseas movie theories. The filmmakers who initiated the autonomous cinema move drew on Euro-American paintings cinemas, New Latin American Cinema, and the feminist motion pictures from the West to include them into the family cultural context, generating the recent innovations resembling the Small movie, the People's Cinema and the woman's movie. This truth demanding situations the nationwide cinema discourse which presupposes that the heritage of South Korean cinema is confirmed in the closed circuit of the nationwide historical past and conventional aesthetics. My dissertation is helping create an alternate viewpoint through which to determine the development of nationwide cinema as essentially an interplay among indigenous well known discourses and overseas movie new waves. eventually, this dissertation takes under consideration the energetic roles of the self sufficient filmmakers. It examines the flicks and manuscripts produced by means of the filmmakers to work out how they invented and elaborated their positions approximately cinema flow within the given cultural box in each one interval. It will pay realization to the cultural box the place the filmmakers are conditioned among what they desired to visualize and what's externally granted. Viewing a longtime cultural box as a hegemonic building, this research additionally investigates the best way transformation happens from one cultural box to a different.

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Additional info for A cultural interpretation of the South Korean Independent Cinema Movement, 1975-2004

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Instead, they maintained that a new cinema was to pertain to the realities of minjung. Literally signifying the term minjung specifically refers to lower classes such as peasants, manual laborers, and the urban poor. The period of the early 1980s was characterized by mass movements against the military rule, specifically the Kwangju Uprising in May 1980. Witnessing the political mobilizations of grass roots, intellectuals and university students found the potentiality of social progress in the power of people.

Considering the nationwide censorship by the military government, it was a bold move to organize the event with such an expressive purpose. Forty-seven organizers,3 mostly university students and graduates, put their passion and heads together in order to launch this short-film festival without any financial support from the government or corporations. 4 At that time in South Korea, the 8mm and 16mm films were a novel medium so that only a small number of cinematic artists and film students had access to them because of their scarcity and high price.

Under these circumstances, foreign cultural centers, whether they were European or not, provided semi-official avenues for foreign cultural works that escaped the Korean official censorship. These centers were established by their home governments for the purpose of introducing their culture to Koreans. 49 As such, the uninterrupted history of French cinema was delivered to cultural center audiences. Jean Luc Malene, the incumbent President of the French Cultural Centre as of 2006, mentioned, The French Cultural Centre provided an open window through which foreign cultures, and the current issues of Europe and other countries as well were delivered to South Korea which was at the time under the oppression of military control.

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A cultural interpretation of the South Korean Independent Cinema Movement, 1975-2004 by Nohchool Park

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