By Roy Armes
During this landmark dictionary, Roy Armes info the scope and variety of filmmaking around the Arab center East. directory greater than 550 function motion pictures through extra than 250 filmmakers, and brief and documentary motion pictures via one other 900 filmmakers, this quantity covers the movie creation in Iraq, Jordan, Lebanon, Palestine, Syria, and the Gulf States. An creation by means of Armes locates movie and filmmaking traditions in the zone from early efforts within the silent period to state-funded productions via remoted filmmakers and politically engaged documentarians. half 1 lists biographical information regarding the filmmakers and their characteristic motion pictures. half 2 information key function motion pictures from the international locations represented. half three indexes feature-film titles in English and French with information about the director, date, and kingdom of foundation.
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Extra info for Arab Filmmakers of the Middle East: A Dictionary
The organization’s first feature production was The Lorry Driver (1966), directed by the Yugoslav filmmaker appointed to oversee its activities, variously referred to in 1968 were for the Soviet film school, the VGIK, in Moscow. The Night opens with Wissal and her son looking up at the night sky, and the narrative begins with her memories and dreams of her dead husband. They met when he passed through Kuneitra in 1936, on his way to fight the British and the Jews in Palestine, and he married her, at her father’s request, on his return as a broken man from the fighting.
As a result, there were atrocities on both sides, especially Saddam Hussein’s use of poison gas attacks, a tactic which he later applied to dissident populations within Iraq. Half-a-million people died, but in the end, “the war was a draw. Neither country lost much territory, nor was there any change of regime in either nation. The conflict enabled Khomeini to consolidate the Islamic revolution. ”50 With the state now bankrupt and with his army as his sole (if expensive) asset, Hussein decided on a new war.
The origins of Egyptian cinema lie essentially in Cairo’s cosmopolitan expatriate community. In Algeria, it was a Frenchman, Jacques Charby, who shot the first Algerian-produced feature film after independence. It was another Frenchman, André Chotin, who shot the first feature at the newly established Baghdad Studio in Iraq in 1948, just as the German Fritz Kramp was chosen to inaugurate the Misr Studios in Cairo with Weddad in 1936. Subsequently European directors working in the Arab world have largely found their production funding at home and aimed their work at a wider audience.
Arab Filmmakers of the Middle East: A Dictionary by Roy Armes