By Richard Rhodes
Pulitzer Prize-winning writer Richard Rhodes provides a riveting account of the nuclear palms race and the chilly War.
In the Reagan-Gorbachev period, the U.S. and the Soviet Union got here inside mins of nuclear conflict, until eventually Gorbachev boldly introduced a crusade to cast off nuclear guns, atmosphere the level for the 1986 Reykjavik summit and the brilliant occasions that undefined. during this exciting, authoritative narrative, Richard Rhodes attracts on own interviews with either Soviet and U.S. individuals and a wealth of recent documentation to resolve the compelling, surprising tale in the back of this huge time in human history—its beginnings, its approximately chilling outcomes, and its results on worldwide politics today.
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Extra resources for Arsenals of Folly: The Making of the Nuclear Arms Race
Of tonight. LAFAYETTE, MULLIGAN, LAURENS: MULLIGAN, LAFAYETTE: And when our children tell our story . . round tonight. HAMILTON: They’ll tell the story of tonight. Let’s have another HAMILTON, LAURENS, Let’s have another round tonight. LAFAYETTE: They’ll tell the story of tonight. Let’s have another round tonight. MULLIGAN, LAFAYETTE, ensemble: HAMILTON: Let’s have another round tonight. Raise a glass to freedom, Something they can never take away, no matter what they tell you. 3 Raise a glass to the four of us.
I thought, Here’s the show. The musical has emerged. This makes dramatic sense, and is scintillating,” he recalls. ” 46 V A few weeks later, he took Lin to lunch. “If you want the country, we forget that musical theater is a mongrel me to produce your show, I’d love to produce your show,” art form,” Lin says. Broadway absorbed jazz, then it he said. ” sounds. To make the connection explicit, he opened the Songbook program by combining two iconic songs about Some Broadway producers spend years mastering one of New York City: “Another Hundred People,” from Stethose tasks before stretching to do the others; Jeffrey had phen Sondheim’s Company, and Jay Z and Alicia Keys’s been doing them all since before he learned to shave.
LAURENS: Raise a glass to freedom. Tomorrow there’ll be They’ll tell the story of tonight. more of us. They’ll tell the story of— MULLIGAN, LAFAYETTE, LAURENS: Telling ENSEMBLE: Tonight. 4 the story of tonight. Scene shift. A city square. Burr enters. HAMILTON: They’ll tell the story of tonight. LAURENS, MULLIGAN, LAFAYETTE: Raise a glass to freedom, Something they can never take away. 34 35 I wrote this melody when I was 16 years old. ” When it came time to write this number for the show, that melody did everything I wanted this scene to do: It conveyed a yearning and innocence I felt in finding a group of friends to sing with me.
Arsenals of Folly: The Making of the Nuclear Arms Race by Richard Rhodes